For the fourth Joy Awards in Riyadh, I was asked back by Chris at Ogle-Hog to re-join the screens team as workflow specialist, looking after all content delivery to LED and projection. The show moved to a much bigger venue this year, so everything grew: bigger surfaces, more projection, more automation tracking.
I built a central spec site for the content teams that tracked the evolving Stufish design from the first drawings onwards. I also developed the canopy projection design with Creative Technologies and 3D modelled the full setup for disguise. Onsite, I laser scanned the venue and remodelled the canopy to its as-built shape for an accurate, tight line-up. The highlights were projection that tracked the moving diamond wall and masked itself off the moving LED louvres, all from live automation data.
Credits
Producers : Done & Dusted
Client : Ogle-Hog
Set Design : Stufish
Video Workflow : Andy Coates
Disguise Programmer : Jack Nicklin Jewell
Content Management : Andy Briggs
Screens Technical Manager : Pete Tilling
Projection Line-up : Adam Power
Projection Line-up : Alex Loftie
Screens Control Supplier : QED
LED & Projector Supplier : Creative Technologies